Bill Viola Movies
- 1977

Memories Of Ancestral Power
Memories Of Ancestral Power01977HD
The rituals and philosophies of indigenous non-Western cultures recur throughout Viola's work. In 1976, he travelled to the Solomon Islands with...
![Memories Of Ancestral Power]()
- 1975

A Non-Dairy Creamer
A Non-Dairy Creamer91975HD
Viola describes A Non-Dairy Creamer as "the eradication of the individual by self-consumption." The artist's face, visible only as a reflected image...
![A Non-Dairy Creamer]()
- 1994

Déserts
Déserts61994HD
Déserts was created to accompany a live performance of the work of avant-garde composer Edgard Varèse (1885-1965). The Ensemble Modern,...
![Déserts]()
- 2000

The Quintet of the Astonished
The Quintet of the Astonished02000HD
The Quintet of the Astonished shows the unfolding expressions of five actors in such extreme slow motion that every minute detail of their changing...
![The Quintet of the Astonished]()
- 2016

Mary
Mary02016HD
Moving through its five parts, the work describes a cycle of birth through to death, depicting both an eternal, universal Mary, and an earthly Mary...
![Mary]()
- 2002

The Silent Sea
The Silent Sea02002HD
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- 1979

The Reflecting Pool
The Reflecting Pool5.31979HD
Viola's seminal piece, The Reflecting Pool, was made three decades ago on analogue video tape and yet could easily pass for a contemporary digital...
![The Reflecting Pool]()
- 1992

The Nantes Triptych
The Nantes Triptych01992HD
The three panels of Bill Viola’s triptych show video footage of birth (on the left), death (on the right) and a metaphorical journey between...
![The Nantes Triptych]()
- 1977

The Wheel of Becoming
The Wheel of Becoming01977HD
Viola describes The Wheel of Becoming as concerning "the notion of the parallel nature of reality, that is, simultaneous events separated in space."...
![The Wheel of Becoming]()
- 1995

Interval
Interval01995HD
Video/sound installation featuring two channels of color video projections from opposite walls of a large, darkened gallery; custom video switching...
![Interval]()
- 1975

Red Tape: Collected Works
Red Tape: Collected Works01975HD
Red Tape -- Collected Works Bill Viola 1975, 30 min, color, sound Playing Soul Music to My Freckles 1975, 2:46 min, color, sound A Non-Dairy...
![Red Tape: Collected Works]()
- 1977

Guadalcanal Requiem
Guadalcanal Requiem71977HD
One of Paik’s most overtly political and poignant statements, Guadalcanal Requiem is a performance/documentary collage that confronts history,...
![Guadalcanal Requiem]()
- 1982

Ancient of Days
Ancient of Days7.11982HD
Ancient of Days is a remarkable series of "canons and fugues for video" that comprises Viola's most sophisticated structural and metaphorical...
![Ancient of Days]()
- 2011

A Phrase from Chris
A Phrase from Chris92011HD
“Transfiguration refers to a rare process whereby both the substance and essence of an entity is reconfigured. In physical terms, a...
![A Phrase from Chris]()
- 1976

Truth Through Mass Individuation
Truth Through Mass Individuation01976HD
The title of Truth Through Mass Individuation references Carl Jung. An isolated figure is seen performing successively more aggressive actions...
![Truth Through Mass Individuation]()
- 2014

Inverted Birth
Inverted Birth02014HD
American video artist Bill Viola explores the life cycle as an enveloping whole instead of the hegemonic view of life as a linear progression. The...
![Inverted Birth]()
- 1992

Heaven and Earth
Heaven and Earth01992HD
Continuously running video installation: in a small alcove, a wood column extends from the floor and ceiling, with a gap in the center formed by two...
![Heaven and Earth]()
- 2012

Walking on the Edge
Walking on the Edge02012HD
This work represents the inevitable separation of father and son as they take separate paths in their life's journey. Two men arrive in the desert...
![Walking on the Edge]()
- 2002

The Path
The Path72002HD
![The Path]()
- 2000

Ascension
Ascension02000HD
A man sinks down rapidly into the watery depths, but his inevitable and extended ascension's entire sequence, which was only a few seconds in real...
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